Evoking a well-loved community venue through the poetic expression of its history, while embedding cultural narratives to create a contemporary plaza.

Titahi Bay Marine’s Hall was built during WW2, as a venue for recreation by US Marines who were camped nearby. When they shipped out to war in the Pacific, the hall was used by the community as a theatre, cinema and public meeting space. 

Decades later, after generations of community use, the hall was deemed structurally unsafe and closed in 2012. A replacement facility was considered unfeasible, so Porirua City Council proposed a commemorative landscape in its place, to recognize the hall’s legacy within the community, rather than the Marines themselves, who are memorialized elsewhere close by.

Boffa Miskell was engaged to design a public open space for use by the community that had used the hall, while addressing legacy issues of security and safety. The hall was located close to shops, a small library, a boxing club and other facilities, many of which had been built with little regard to the spaces created among them. The open and accommodating design solution ties in successfully with its multi-faceted built and open space context, while incorporating safety and security elements to create a successful public environment.

Borrowing ideas from the hall’s varied historical use, including cinematic projection and theatre; and recalling that the land on which the hall was located is important to Ngāti Toa, we worked with the council and local iwi to create a welcoming outdoor space that could accommodate aspects of the activities that the hall had once hosted.

Worked with

Spencer Holmes Ltd
Higgins Contracting
Tilley Group LTD
Ducare NZ LTD
5th Season Design
Tom Steck

Project date

2020 - 2023

Andy Spain
Andy Spain

The land upon which the hall sat is important to Ngāti Toa’s as mana whenua. Through design-focused hui, Boffa Miskell collaborated with a local Ngāti Toa artist to generate elements that are central to the function of the site as a public gathering space, while expressing cultural narratives.   

The volume of the hall expressed by the three large ‘portals’ that trace its profile while holding its footprint. Simultaneously, the extension of the roof profile is reminiscent of the eaves and silhouette of a traditional whare building. Three lighted vertical elements represent the pou tokomanawa that would support the tahuhu or ridgepole of a whare, and the heke or rafters. In this way the hall references Ngāti Toa buildings that would have preceded it by many generations.

Within this are a range of interconnected spaces suitable for casual gathering and more organized events. A low timber plinth acts as seating but can also be used as a small stage, complete with a new event-appropriate power supply. Facing this, a series of low steps provide seating orientated toward the stage and open plaza space, while accommodating slope across the site. These are finished in red outdoor carpet, evoking the aisle in a cinema.

The project space extends to the existing community library, with a wananga space designed with a Ngāti Toa artist. This includes highly detailed screens that diffuse the prevailing wind, delineate space and embed cultural narratives.  

Another nod to the hall's history, ‘lantern box’ sets are oriented toward the southern portal frame, within which a screen could be suspended for outdoor movie projection. The frame of the lantern box sets express cultural patterns during the day, with additional details overlaid from within when the lantern boxes are internally lit at night.

The final design provides multi-functional open spaces with the capacity to facilitate community activities both day and night. With amenity lighting incorporated in all the bespoke structures, the site transforms when the sun goes down, reminding the community of the generations of evening social events held in the hall. 

Andy Spain
Andy Spain
Andy Spain
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Andy Spain